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The Social History of Smoking

George Latimer Apperson

Chapter 7:

Hogarth's subscription ticket for the print of Sigismunda was Time smoking a Picture (1761). It represents an old man sitting on a fragment of statuary and smoking a long pipe against a picture of a landscape which stands upon an easel before him. Below, on his left, is a large jar labelled "Varnish." The figure of Time is nude and has large wings. Volumes of smoke are pouring against the surface of the picture from both his mouth and the bowl of his long clay pipe. In The Stage-Coach, or Country Inn-yard, is shown an old woman smoking a pipe in the "basket" of the coach. The plate of The Distrest Poet (1736) shows four books and three tobacco-pipes on a shelf. In the second of the "Election" series—the Canvassing for Votes (1755)—a barber and a cobbler, seated at the table in the right-hand corner, are both smoking long pipes. Apparently they are discussing the taking of Portobello by Admiral Vernon in 1739 with only six ships; for the barber is illustrating his talk by pointing with his twisted pipe-stem to six fragments which he has broken from the stem and arranged on the table in the shape of a crescent. In the frontispiece which Hogarth drew in 1762 for Garrick's farce of "The Farmer's Return from London," the worthy farmer, seated in his great chair, holds out a large mug in one hand to be filled with ale, while the other supports his long pipe, which he is smoking with evident enjoyment.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

One of the latest announcements, however, in the fashion pages of the newspapers is the advent of "smoking Jackets" for ladies! We are informed in the usual style of such pages, that "the well-dressed woman has begun to consider the little smoking-jacket indispensable." This jacket, we are told "is a very different matter to the braided velvet coats which were donned by our masculine forbears in the days of long drooping cavalry moustaches, tightly buttoned frock-coats, and flexible canes. The feminine smoking-jacket of to-day is worn with entrancing little evening or semi-evening frocks, and represents a compromise between a cloak and a coat, being exquisitely draped and fashioned of the softest and most attractive of the season's beautiful fabrics."

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